Last night I was feeling "troubled" about my silly life as I went to sleep, which is a fairly frequent occurrence. Usually the troubledness has to do with my age, my living situation, my marriage/partner/dating and motherhood status. Other things get factored in based on the latest magazine article I've read or Dateline exclusive I've watched. Last night, after messing with a picture shelf my mother and I were hanging above my desk and trying to figure out which of my 20 works of art I was going to hang on the little hunk of wall that is left in my room, I was feeling particularly freaky. I have friends who are bitter because their houses aren't brand new and don't have granite countertops or swimming pools or room for a home office, but all of them have managed to get more than four walls to hang things on. This isn't about some people being luckier or having more than me. I know if I wanted to make it a priority I could maybe get myself eight walls, so I'm not talking about jealousy here. If I wanted to give up the frequent flying and the handmade furniture and the Sundance catalog jewelry, I could buy a little house and hopefully have enough money left over to pay a boy (preferably a shirtless one) to come and do things for me like hang picture shelves. I could.
Anyhow, I woke up this morning, looked at all my stuffed-full bookshelves and realized, I'm living in a brownstone circa 1945. I always imagined living a writer's life in a big city where I couldn't afford anything but a bedsit so all of my worldly possessions would be in the one room, and for reasons that are unclear, I always imagined doing this in the post war era. And now I realize that's what I've got. Only without the city, without radiators (thank you, Jesus), without loud neighbors, and without a book contract. I AM Helene Hanff. I am whatever the bookish sister's name was in My Sister Eileen. I just can't go walk my dog in Central Park (partly because I don't have my own dog), and I still have not developed a taste for coffee and cigarettes, both of which figure prominently into my 1945 brownstone fantasy.
Also, in this fantasy, I have a throaty laugh and I know how to dance.
I really am amazed by people who figure out how to settle into a place. At almost 40, I'm still trying on locations for size. For instance, I now know I do not want to live in Aspen, even if I do become a billionaire. In fact, you can scratch 'anywhere in Colorado' and 'the Rockies' right off the list of possibilities. It's gorgeous there. The quality of life is good. I understand the fervor of John Denver's Rocky Mountain High, but it is not my place in this world. There is too much sun and too many people happy to be outdoors, risking their lives on guardrail-less roads, in treacherous rapids, and while battling wildfires.
While I was at Aspen Summer Words, my friend H. drove me up Independence Pass so I could see the Continental Divide. On the way up I told her how beautiful the landscape was and she said, "I know. When I see these mountains my heart just opens right up." My heart wasn't opening--not for those mountains--but I liked the emotion with which she spoke. It's how I feel about the West of Ireland, Chicago, East Tennessee, London. There are places you belong and places you don't belong and I live in fear that I'll accidentally end up in a place where I don't belong, where my heart not only won't open up but instead will seize because of the ugliness or inhospitably of the people or landscape. For instance, the two hours I was waiting for my return flight from Phoenix, I kept thinking, "This is a dead place. People aren't supposed to live here." Yet people do. And some people love it. My grandparents loved it. But they sure didn't pass those genes down to me. (Nor the genes that would make camping seem like a good idea, for that matter. Nor the ones that would make me good with money or able to cook.)
When I figure out how to get myself to 1940s Manhattan, I'll let you know.